Michel Foucault's discourse on Heterotopia inspires this project. This project involves exploring social and mass media images painted on plexiglass. It focuses on cyber threats through a critical lens of women's issues and the aesthetics of technology.

This is created through a process of deep thinking, combined with the use of plexiglass as a primary material, and a curious, exploratory approach to shaped canvases and cut-outs. This work investigates the interference of human presence within cyber structures, focusing on how electronic devices and the portrait of patriarchal systems intrude upon the privacy of humans—especially women—as well as animals and plant robots. It is an exploration of the anatomy of familiar creatures, transforming them into solid, objective forms.

This process can be seen as a metamorphosis of the human mind—a reflection shaped by technology. The transparency of plexiglass allows for the display of both interior and exterior spaces, and enables painting on both sides of the plexiglass. The process begins with drawing, moves through linear software for cutting contours and tracing inner lines, and ultimately cutting and shaping the figures' forms. The final pieces combine human and animal figures, with colourful segments juxtaposed and arranged like a puzzle, using the “cut-out” technique.